![]() ![]() This entry was posted in download, Free Reaktor Ensemble, Practical Reaktor, Roux, Roux Macro and tagged sequencer, Sequencing, Step Sequencer, tutorial on Maby peterdines. Oh, and you’ll also get Ghost Shift, in case you don’t have it already. Plus, you’ll receive notification and another link when the Roux Stepper is updated with improved audio and sequencing features. The cost is zero and a link will be delivered to your inbox instantly. The Roux step sequencer is free and you can download it from the Reaktor Tips shop here: See my previous post here to download the Roux macro on its own, and find out how to use it in your structures. The next thing you might want to try is adding some better sounding audio generating modules, like a choice of waveforms, a filter or two, a filter envelope, an LFO – and of course, more Roux sequencer macros to control some of these parameters. My philosophy is, if you already know what your music is going to sound like before you produce it, why bother? Make tools that produce happy accidents. This lets the sequence morph and change in interesting and unpredictable ways over time. One thing you’ll notice about this contraption is that it can have different sequence length and clock speed settings in the pitch and gate sequencers, one of the features you’ll also find on its big brother the Chroma sequencer. So values greater than zero go to Hi, and values of zero or less go to Lo. When there’s nothing connected to Thld, Reaktor interprets this as a zero threshold. The threshold port determines what values go to the Hi and Lo outputs. Notice that the Separator module has two input ports – an “In” and a “Thld”. That way, only positive non-zero values of the gate trigger a new pitch. The output of the Gate sequencer, which controls whether there’s a note on a certain step and how loud it is, goes through a separator. Added a synced stereo delay, to make things a little more interestingĪside from the innards of the constrain-to-scale and delay macros, most of this should be straight-forward, but I want to talk a little more in depth about the use of the separator and value modules.the aforementioned Pitch Correction macro from Spiral.from publication: Biomechanics in Figure. Triangle wave for some extra harmonics to the sound Download scientific diagram Displacement of circular step sequence (left) and linear step sequence (right).A Start / Stop module to send a zero to the envelope when the sequencer stops.Separator and Value modules send pitch values only when the gate value is on.The DR envelope requires a zero value in between triggers, while the ADSR only requires a positive value to trigger, which makes more sense in a step sequencer where you’ll have one note after another. The DR envelope is replaced with an ADSR.There are certainly ways to make poly sequencers in Reaktor but polyphony doesn’t make sense for this kind of simple structure. All macros and modules have been set to mono.Pitch and Gate macros have been renamed for clarity. ![]()
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